Take note. Know the score.
If you have concerns about the music served in your church, please view the following videos before reading the thoughts below them.
https://www.youtube.com/watch?v=Y0uFSYHVSRk entitled Why Your Church Shouldn’t Play Bethel and Hillsong Music | Justin Peters, Todd Friel.
https://www.youtube.com/watch?v=lYAtKSua59M Bethel Redding & Modern Apostles: A Biblical Analysis
These videos and many others like them beg the question, when did the churches develop an aversion to using hymnals provided by just about every Christian denomination, in favor of screens and what’s trendy and transient? Must it be something new every week? And why?
I’ve been involved in church music as long as I can remember, in a lot of different settings. Even some non Christian spiritual “paths”, when I was out wandering in the world for awhile.
The hymns I knew as a child are the same ones that the Holy Spirit still brings to mind now decades later, having come back home to Christian moorings, when the message of a particular one is needed for some challenge in my life. They provide comfort and insight, and are the best means of communicating reliable theology. (Or bad theology.)
What I see happening now in the churches with regard to “worship” music is like culture shock. What is going on, for heaven’s sake? Literally for heaven’s sake.
When the religious pop song selections are new every week, there are no such moorings in any real theological underpinnings. This robs the young – both in terms of chronological age, as well as “baby” Christians – of a precious gift God desires to provide through His musicians. While it doesn’t need to be the same old repetition over and over every week in the worship setting, familiarity with hymns makes a lot of sense when it comes to meaningful worship, where we realize that it’s not about the musicians but about the One being worshipped.
Solid hymnody is that which is based on sound theology, not trendiness and what’s popular on the top 10 charts. Since when did Christian music become just another genre in competition with the music of the world, which is under the power of the evil one?
Worship and praise supposedly convey what a church believes. If that is so, with so much nebulosity (currently in the Evangelical ranks in particular) and always aiming for what’s new every week, how would a visiting stranger know what a church actually believes?
And since often none of the ancient creeds are confessed, this vital testimony also has been thrown under the bus, in song and words. Songs matter. Words matter. Truth matters! I find myself inwardly repeating the question in Psalm 11:3, “If the foundations are destroyed, What can the righteous do?” But, I digress.
On my piano at the moment are 7 hymnals, each representing a different Protestant Church. I collect them. I love hymnals and here’s why. Looking at these tomes of well constructed, beautiful, and for the most part theologically sound hymns, one wonders how such a treasure could be abandoned for flighty little simplistic “Jesus is my boyfriend” choruses?
Most hymns found in hymnals are based on Scripture texts. The hymn writers were also theologically astute. Many hymns have stood the test of time, coming from as far back as the 4th century, but updated and verses added over decades and centuries. Translators worked hard to skillfully bring forth their most current renditions.
With hymnals “forbidden” and pop chart lyrics flashed on screens, personally I feel robbed of a practice I’ve had – that of checking the hymn list in the church bulletin, along with the Scriptures for the day, and using them as thoughts on which to meditate to get ready for what the worship content is going to be. I’m not a participant anymore, but someone being led blindly along with this modality.
Yet, in some of the newer hymnals, there is also a weakening – a capitulation to culture, such as gender neutral verbiage, or a watered down gospel that has been changed from the original lyrics. Something else for stumbling, when an old hymn known by heart, has the words changed, but you’re not reading from the screen.
In the denomination where I grew up, known for its musical excellence since the Reformation, the person in charge of the worship hymns and special music had to not only get the pastor’s approval every week for service music, but the theme was consistent with what was being preached. It took some work and planning and rehearsing. Wow! Was the Holy Spirit not working in that context which required planning instead of tossing together this and that “in the spirit.” (But by what spirit? We may well and legitimately ask.)
The poetic nature of well constructed hymnody has been all too often forsaken for trance like modes and rhythms and repetitious lines which are, it would seem, a (pagan-ized) setup that hypnotizes worshipers to receive whatever message the preacher might want to instill in them. It seems more manipulative than participatory. An insult to those who would worship with their intelligence plugged in.
Since when do we think that only what’s “spontaneous” and mindless and feeling centered is now the Holy Spirit’s m.o.? This borders on tragic! As if carefully planned worship could just never be “inspired!” Where does this off the cuff ideation come from?
Many forms of the Christian Contemporary genre have been called “gateway drugs” designed to lure into some pretty heavy spiritual deception and heresy. It could even be seen as a Trojan horse; what’s inside it – spiritually – is not visible but makes its presence known once inside the church. Oh, that subtle Serpent of old! Still around working his woo woo.
This trend needs to be seen for what it is, and much discernment applied when choosing worship music. May God’s people desire to ask, seek, and knock for the Holy Spirit and not be afraid to ask questions about the source of these musical selections, as we increase our understanding of the true Gospel and the best ways to express it. Especially in this late hour of deception and apostasy.
The worship wars are well worth fighting, for anyone who cares about truth and how music can spread it or obfuscate it. Eternity is at stake. For this commenter that is a hill worth dying on.
Do we have to say, “Follow the money” on this one too?
Remember, any time one’s church pays money to access the rights to Hillsong, Bethel, or Amy Grant songs (and more) – as if worship is some sort of money making performance – one’s church is supporting those who represent false teachings and unscriptural political correctness.
Worship is not performance.
The direction some other very well known “Christian” pop entertainers are going – in selling their souls to the serpent in the name of the Lord, in order to compete in the world and stay on top of the pop charts, taking on political correctness, and forsaking God’s truth – we do well not to use their music either. The entertainment industry they serve is not known in particular for its integrity.
It is time to pray for and to practice discernment and stop letting the evil one into the churches via his favorite Trojan horse – music of the world, with its pagan rhythms and trance like repetition with appeal to the flesh. Didn’t the Church used to teach the necessity of mortifying, not glorifying, the flesh?
If we’re wondering where all the corruption in the churches comes from, much of the fault of that can be laid at the feet of opting for the route of what’s popular and acceptable in the world, which we’re not to love, and from which we are called to remain unspotted, per James 1:27. This has been a creeping problem for several decades now.
If this is continued, there’s nothing for it but to take one’s God given talents in some other direction than churches which have adopted the idea that in order to keep people interested in Christianity, then it must offer a lot of worldly amenities and attractions, especially where music is concerned.
Last time I checked my Bible, I noticed that God was calling us, according to Hebrews 12:14, to pursue holiness without which no one will see the Lord. And that “whatever you do, do it heartily, as to the Lord and not to men.” Colossians 3:23. Why would music offered Him in worship be in any different category? He is the “audience” of One.
Soli Deo Gloria!
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